Roger Ebert's Top 2005 movies - King Kong 8th Position

A stupendous cliffhanger, a glorious adventure, a shameless celebration of every single resource of the blockbuster, told in a film of visual beauty and surprising emotional impact. Of course, this will be the most popular film of the year, and nothing wrong with that: If movies like "King Kong" didn't delight us with the magic of the cinema, we'd never start going in the first place. Peter Jackson's triumph is not a remake of the 1933 classic so much as a celebration of its greatness and a flowering of its possibilities. Its most particular contribution is in the area of the heart: It transforms the somewhat creepy relationship of the gorilla and the girl into a celebration of empathy, in which a vaudeville acrobat (Naomi Watts) intuitively understands that when Kong roars he isn't threatening her but stating his territorial dominance; she responds with acrobatics that delight him, not least because Kong has been a gorilla few have ever tried to delight. From their relationship flows the emotional center of the film, which spectacular special effects surround and enhance, but could not replace.
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